A feature review and interview, by Heather Ladd
In a season when Handel’s Messiah is hauled out, dusted off, and performed to countless audiences around the country, a new and intriguing choral piece has been launched. Peter-Anthony Togni’s Lamentatio Jeremiah Prophetae, a concerto for bass clarinet and choir, was performed on November 14 to a full and rapt audience gathered at Toronto’s St. Anne’s Anglican Church.
Read more